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July 13, 2009

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John

This was a wonderful post because it talks about learning in a way that interacts with visitor attendance. Museums always struggle with ways to bring in new or more visitors, and often think about the learning after they think of the big exhibit, or program theme.
What about looking at visitors from these multiple levels of entry the same way we should be looking at kids vs. adults in program or exhibit design. Exhibits should reach out to both of these kinds of visitors and appreciate them both.

When you go to a place with kids like the Strong Museum you see kids who can return time and time again to the same exhibit. We think it is because kids just like to "play" and they have these cool toys that keep them involved, and each time they come they seem to revisit some old favorites but then also always find something new and fresh.
Oh wait that is what all museums should be doing!
We should enter have a deep or shallow experience, be left with wetted lips and if we can make the time, return for more.

I love Art Museums but often they seem to do the worst at this. Paintings on walls with tombstones. All onus on you buddy! They scream. And while I can go a thousand times to see my favorite paintings, and this is valid, this format of content delivery does not provide me with the opportunity for curiosity. I can appreciate the paintings, and I can even think about the intentions and meanings behind the image, but let’s face it, even for a straight forward painting you need some scaffolding.

So museums should cater to deep and wide. It is possible to do this and they should think about my Strong analogy. If you don't think play=learning, then you may never capture repeat visitors.

Rosemary

Susie, thanks for an interesting post. As mentioned in the comment above, it's helpful to read about your visitor data compared and contrasted with learning theory.

Michael

It's interesting how a curiosity-driven visitor's expectations of wide vs. deep seem to mirror the interactivity expected from most digital and web-based platforms. This is obviously a human behavior with precedence predating the 21st century, but it is undoubtedly accelerating and seems to be the modus operandi of younger visitors. It's crucial that cultural institutions account for this type of engagement with their audience, both in their on-line as well as with their physical experiences.

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